The Washington Post Art Review February 27, 2022
In the galleries: Caprice and function hang together through the looking glass By Mark Jenkins Contributing reporter Today at 6:00
Oenone Hammersley2023-02-25T20:56:26+00:00February 25th, 2022|Art, Press|
In the galleries: Caprice and function hang together through the looking glass By Mark Jenkins Contributing reporter Today at 6:00
Oenone Hammersley2022-02-17T23:27:44+00:00February 17th, 2022|Art, blog|
Oenone Hammersley’s recent collaboration with Jane Franklin Dance has produced an interesting and beautiful coalition.
Oenone Hammersley2022-01-24T22:34:31+00:00January 24th, 2022|Art, blog|
An exhibition of water paintings by Oenone Hammersley are on display at the Athenaeum in Alexandria Virginia from January 27
Oenone Hammersley2021-12-15T22:12:18+00:00December 15th, 2021|Art, blog|
At last a long awaited exhibition of women’s abstract paintings from 1930 to 1950. Unfortunately the exhibition is too small
Oenone Hammersley2021-11-17T16:09:33+00:00November 17th, 2021|blog, conservation|
Reflecting Wave Off the southern coast of Australia, a new effort is under way to capture the energy
Oenone Hammersley2021-04-16T15:11:10+00:00March 2nd, 2021|Press|
Chroma Art Impact International Awards December 2019 Art Impact International featured Oenone's work
Oenone Hammersley2021-04-27T11:28:34+00:00November 1st, 2003|Art, Press|
Insider Magazine Article Athens Greece November 2003, Oenone Hammersley exhibited at the British Ambassador's
Oenone Hammersley2021-04-27T11:30:39+00:00May 1st, 2001|Art, Press|
Opera Now Magazine May/June 2001, Oenone Hammersley exhibited her paintings 'Glyndebourne Goes Wild' of
Oenone Hammersley2021-04-27T11:42:09+00:00January 5th, 1992|Press|
The Artists Magazine January 1992, Oenone Hammersley exhibited her paintings at the Snow Goose